Artomatic

The 25 Project: Cory Obendorfer

In our second interview with on of the amazing artists from the 25th Anniversary celebration for DCAC, the 25 Project. The 9th artist in this exhibition is local artist Cory Obendorfer, the resident artist on making like larger and more colorful.

Obendorfer has been in DC since 2008 when he started his MFA at American University. Lately, he has been seen at (e)merge, Katzen, Mclean Project for the Arts, and Artomatic. He has been known for his larger than life works that bring ordinary, often bizarre images to life. Lately his subject matter has included skaters, popsicles and candy. We caught up with him to do a Q&A about the 25 Project.    

Why the 25 Project? What inspired you to be a part of it?

I've always admired the organizing partners who put together The 25 Project - No Kings Collective and DCAC. I think both have a terrific presence in DC and provide great opportunities for artists. I haven't exhibited with either in an official capacity, so I eagerly jumped on board when I was invited.
 
What can we expect to see of your work with the Project?
Popsicles. I have been obsessed with painting popsicles recently, larger than life.
 
What intrigues you about popsicles and skaters?
Both fascinate me, but they contradict each other.
The skaters in my Rollergirl series are icons of contemporary feminism. They are strong, tenacious, feminine, aggressive, dedicated, sexy, playful, athletic. All the qualities I admire.
The popsicles are icons for youth and innocence. They are both general and specific in the way they reach people. Most people share the same response upon seeing the popsicles, but each viewer's tie to the work is very personal. I have heard so many stories of when and where people would get certain popsicles, including their favorite flavors and who they were with at the time. I have seen total strangers stand in front of a popsicle painting and start sharing memories of their childhood. I love that!
 
The waffle video? Did you lie or not lie?
I lied about the fact that my obsession with the waffle video was a secret. It's totally not a secret.
But I find the video itself hilarious and brilliant!
Here's why it works:
The title of the video gives away the punchline, the waffle will fall over. Which means there will be tension and anticipation as we await the fall.
The waffle itself is a stoic creature. Its grid structure is solid, strong, stable and predictable (and is echoed in the background). Our waffle hero is infallible, and yet we are foretold of its ultimate demise.
The close-up composition creates a monumental perspective. We ignore the fact that it is probably only five inches tall and sitting on a stove. It can easily be perceived as being of a human scale or much larger. This makes the fall more powerful.
When the fall happens, we cannot prevent the action. The waffle does not falter, it simply succumbs to the inevitable burden of gravity and its own weakness as an organic construction.
The waffle does not noticeably bounce or move upon impact. This reinforces the previous conceptions of its monolithic nature.
The waffle commits. It accepts its fate during the tipping, the fall, and the landing. It does not fight its fate.
We feel compassion for the waffle. Our hero has fallen, literally. It is just as difficult for us to accept the waffle's demise as it was for the waffle.
It is a waffle. A breakfast pastry has created the most captivating six seconds of cinema I have ever seen.

For more information on the 25 Project, visit their website here.  And for more information on Cory Obendorfer, visit her website here.

Bringing the Art in DC to You, 

Elizabeth 

Rachel Farbiarz makes Artomatic personal with 'The Genizah Project'

Artomatic brings the capital the most overwhelming art experience imaginable - an 11 story building packed full of artisans, craft merchants, emerging fine artists, skilled area performers, and energetic workshop instructors. Thousands of diverse artists enthusiastically mix their talents in this decadent hyperactive whirlwind of artistic exploration and adventure. Local and national sponsors provide a variety of resources for the thriving bazaar to continue to serve the Capital in all things art.

In a sea of colorful paintings, ceramics, and sculpture, the din of excited patrons and performance artists, lies an elegantly understated installation of memories. Stepping up to the little corner room on the 9th floor your eyes scroll over the thousands of paper histories in greeting cards, diary pages, photographs strewn across bookshelves, filing cabinets, a desk, a dresser, and the floor. The tiny room holds several lifetimes of the Capital’s personal histories.

Rachel Farbiarz has gathered the district’s personal histories for display with “The Genizah Project.” It’s a beautifully simple idea - the same idea that sparked “The Museum of Broken Relationships.” Art is by nature personal. This artwork is a visual demonstration of the place of art in our lives. Set up as an ordinary home office, “The Genizah Project” is a room of contemplation, propelling your artful soul into personal recollection and thoughtful reverence for those who gave the pieces of their lives to the installation. 

Tucked away in a tiny corner on the 9th floor of Artomatic Farbiarz’s installation quietly awaits the contemplative art viewer. From the doorway the array of strewn letters, cards, brochures, and photographs beckon you in for a closer, more intimate, look. You can vaguely make out the eerie sounds of the performers nearby as your eyes take in the mass collection of discarded memories. But as you examine each scrap more closely you realize that none of these works on paper are meaninglessly rejected from the original owner. Each piece was sent to Farbiarz consciously, purposefully.

Farbiarz has collected our sacred memories and treated them with the respect our nagging conscious tells us they deserve. The room pays homage to the randomness we have kept in our lives. Letting the depth of each memory soak into you, you feel the room is the making of a beginner-hoarder, unable to fully let go of the past but unable to give ample space for each memory to maintain a stronghold in the present.

Farbiarz speaks to our humanity, our sensitivity, and our humility. While the rest of Artomatic maintains an entertaining quality, “The Genizah Project” reminds us of the fullness in which art captivates us - mind and soul.

You can find out more about Rachel Farbiarz and “The Genizah Project” by clicking here. And visit the Artomatic website www.artomatic.org. Artomatic is open in Crystal City through June 23. 

Bringing the Art in DC to You,

Kayleigh